![]() ![]() ![]() Lead singer, Kyle Hollis, has an extremely unique voice. Two things easily stick out to differentiate Picturesque from debuting bands in 2017: their lead singer and their exquisite chorus construction. In this case, Picturesque successfully finds their identity throughout the running time of Back to Beautiful, even if it is immensely niche. The debut should, in theory, be the groundwork used to elevate future albums to success. The boundaries make a clear distinction of who the powerful are and who aren't, since only the former have the capability to prescribe who should stand where.Review Summary: An effective debut dispite its flaws.Ī successful debut album establishes an identity for a band. The paper seeks to demarcate the establishments of power the novel discusses and how in close association are these establishments with the boundaries or the limits they dictate. Similarly, Velutha's relationship with Ammu was at the cost of his life. The indifference Ammu faces is mainly because of the fact that she is a woman, who is "unworthy" of being educated. The people in authority, be it the institutions of law, religion or education have formulated different laws for different people. The God of Small Things questions how certain people are relegated to the margins, and how crossing the prescribed limits take a heavy toll on their lives. It lays bare the double standards of the society, and the overt gap between preaching and practice. The novel discusses issues of sex, caste, religion etc. A strain of pessimism touches throughout the strands of the non-linear narration of the novel. ![]() ![]() The Booker Prize winning The God of Small Things by Arundhati Roy is a highly political novel that revolves around the lives of the fraternal twins Estha and Rahel. The study shows how the author has skillfully used these strategies to unravel the indigenous cultural and social customs and mindset of the people within a particular indigenous community as well as the role-relationship between the interlocutors in a particular communicative context. The text chosen for this purpose is Arundhati Roy's The God of Small Things and the analysis is based on the grammatical and pragmatic explanation of indigenous words which mostly belong to the area of interpersonal communication. Keeping the above in mind, the present paper attempts to analyze the role of these strategies in indigenous interpersonal communicative contexts in Indian English fiction. However, a significant gap becomes noticeable and needs to be explored in Indian English fiction where creative writers have dexterously used these communicative strategies. While majority of the research was conducted in the spoken form from the real-life contexts, a few were directed towards the written forms in literary genres and computer-mediated communication. These strategies have traversed from real life situations to creative writings to social networking domains and are dominant in bilingual or multilingual societies for multifarious reasons. Communicative strategies like code-switching and code-mixing have interested researchers the world over. ![]()
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